Andover Educators
fitch

Frances Conover Fitch

B.A., cum laude, Bard College
M.M., The New England Conservatory of Music.

Region: Eastern United States
Home State: Massachusetts
Available for:  * workshops * individual lessons
Contact:
Website: www.francesconoverfitch.com
Telephone: 978.583.2700

Frances Conover Fitch is a harpsichord and organ soloist and a “delightfully inventive and compelling” continuo player. She teaches at Tufts University and The New England Conservatory and maintains a private studio in the Boston area where she also teaches Body Mapping. She is Director of Music at the Unitarian Universalist Church of Greater Lynn and a Member of the Corporation of the Boston Early Music Festival.

Ms Fitch has been a student of the Alexander Technique since the 1970′s, finding in it an awareness crucial to her life as a performer. In recent years, she has been delighted to learn and now teach the powerful insights of Body Mapping helping other musicians to play with greater ease, expressivity, freedom, and comfort.

Ms. Fitch performs with numerous American early music ensembles and has participated in major music festivals, including Tanglewood, and Tage Alter Musik (Regensburg). Among many recordings are a solo disk on Wildboar and a 2-CD release of music of Elisabeth-Claude Jacquet de la Guerre.

Frances Fitch was on the faculty of the Longy School of Music for nearly three decades, teaching harpsichord, organ, chamber music, figured bass improvisation, and bibliographic research. She served as Chair of the Early Music department and as Acting Academic Dean. In 2006, Longy awarded her the George Seaman Award for Excellence in the Art of Teaching.

As a visiting professor at Wellesley College and East Carolina University, Ms. Fitch performed, coached ensembles, and gave group and private lessons in harpsichord, performance practice, and figured bass. In 2012-13, Ms. Fitch was a full-time Guest Professor in the Performing Arts division of Ferris University in Yokohama, Japan. With Jack Ashworth of the University of Louisville, she is co-author of the figured bass workbook, Running the Numbers.

Ms Fitch’s teachers were Gustav Leonhardt, Yuko Hayashi, John Gibbons, and Veronica Hampe. At the Schola Cantorum Basiliensis in Switzerland, she served as continuo player for student recitals and master classes.

A recent project with The Newberry Consort, Celestial Sirens, has produced several concerts in Chicago and Cleveland featuring vocal, instrumental and keyboard works by and for women from 17th-century Italy and Mexico. The broadcasts of this program by American Public Radio have joined Ms. Fitch’s list of radio recordings by national stations of numerous European countries, from the United Kingdom to Austria and Spain.

Student Comments

"I've been working on some of the things you showed me, and it's been very eye-opening and helpful. I want to do more!"

Andrea LeBlanc, flutist